
Already a year. Bridget, you always remain in our thoughts.
The following text was read at Bridget Crone’s memorial event on the Tuesday 21 February 2023, Hollybush Gardens, London. Goodbye Bridget. This is not a

The following text was read at Bridget Crone’s memorial event on the Tuesday 21 February 2023, Hollybush Gardens, London. Goodbye Bridget. This is not a

Paper presented at a Sacred Traditions and the Arts Seminar Series, titled “The Art Museums, the Sacred, and Theology,” organised by The Courtauld and King’s

Paper Presented at the College Arts Association Annual Conference 2022, Chicago, 18 February 2022 In this short paper, I would like to address the topic

Paper presented at the session, “Grievance: Justice in Time,” 2022 MLA Annual Convention, Washington D.C., 6 January 2022. 1. My Father’s Wrong In 1943, twenty-two

I was recently asked to review ten years of work of an internationally recognised curator in view of a promotion. Most of the material reviewed

Dear Saskia, Thank you for suggesting me to write this blog post. I’ve been meaning to do this for a few weeks now, but the

This log entry is a transcription of a very short intervention at a Research Ethics Seminar, Goldsmiths College, University of London, on Tuesday 9 May

In this, as usual, far too long, post, I will try to make sense of a painterly victory over eternity. How can a painter title

One of the most cryptic of Heidegger’s terms is what he calls, as part of the Fourfold (das Geviert), the gods.[1] In this Log entry, my

Globalised contemporary life constitutes a new kind of desert, a new totalitarianism. It stands for the withering away of everything between us. The fact that